
"Ethan, Marianne, Tom Buckley, all of them – they were living up here in this shit hole, damn near pulling their hair out, driving around in trucks with duct tape on the windows, telling each other these awful stories they'd accumulated, because of one idea. Because they believed that getting a story right, telling it right, holding it, was a holy duty. They seemed to believe that getting a story right could save the world somehow. Or at least make you a better person. And to fail to tell a story honestly was a sacrilege.
The story I'd put down, whatever it was, wasn't honest. It was a fraud. For the first time I wondered if that was a kind of crime."
- Pete Tarslaw – How I became a Famous Novelist
This is the point at which the main character of the book, Pete Tarslaw, comes close to having a moment of clarity…and then decides to ignore it. This is may be one of the more surprisingly endearing traits that our hero embodies – his ability to seemingly hit rock bottom and then continue in a to push forward and continue the freefall that he has found himself in. This stubbornness persists through the majority of the story, and when it looks like Pete has no choice but to reconcile himself with the fact that he has made a series of incredibly short sighted decisions, he is refuses and is therefore compelled to simply ride the media tidal wave which he has inadvertently created and see where it leaves him.
Pete begins the story as a lowly college entrance essay writer, ferrying inept high school kids and English as a second language students through the admissions process for America’s finest universities. He describes the job as something he “didn’t not feel bad about” but it was simply one of those jobs that people can fall into after not having a strong plan after graduation. Pete had recently had his heart broken by his college girlfriend, Polly, who dumped him on graduation day. Since then he found himself living a fairly miserable existence. Upon arriving at work one day, Pete is blindsided by a mass email from Polly informing him (along with all of their friends) that she is engaged and that they are all invited to the wedding! How exciting! Unfortunately, Pete still hasn’t quite gotten over his ex-love in the same manner that she’s been able to move forward from their relationship. He realizes that if he attends the wedding with his life in its current state the entire affair will be nothing short of a train wreck. He will be ridiculed by the guests for his current job and all the bridesmaids will look down on him as the man who was clearly not good enough for Polly. He formulates a simple plot to resolve all the issues plaguing him – money, career, self loathing – while using Polly’s own wedding as a stage on which he can humiliate her with his own success: he will become a famous novelist.
The story then follows Pete’s incredibly misguided, albeit highly successful, path to becoming a famous novelist (spoiler alert: the title of the book gives away a major plot point). I have trouble describing how much I truly enjoyed reading this book. Simply put, it’s hilarious. I’m not sure if it was Pete’s motivation for writing the book, or if it was simply his sarcastic and self-centered narration style that left me laughing out loud, but I couldn’t stop giggling to myself no matter where I was reading it. I was in New York for a conference recently and I had just finished a chapter in which he meets with an editor from a publishing house at a bar in Midtown. I was curious to see if the place actually existed and after a quick Google search, I had the address and me and the book went to go find the bar (Yeah – I was walking around New York City with a book – the story is about to get worse so I don’t feel any shame in admitting that small misstep). After a short subway ride and walk, I found Fitzgerald’s. I certainly agree that, as Pete points out, it is a little odd to name a bar after a guy who drank himself to death. Nevertheless, we had arrived (yes, that “we” did just refer to the book and I – again, not embarrassed yet). I sat down and ordered a scotch - it seemed both writer-y and therefore fairly appropriate given my motivation for finding the place – I think F. Scott would have approved.
It's at this point that I am almost embarrassed to describe my next move, but really in retrospect I think it was fairly understandable (nay - commendable!). I mean I wasn’t with anybody and I certainly didn’t want to strike up a conversation with anybody else at the bar (I didn't deem it to be appropriate to chat with the man 3 seats down who had his button-up shirt on both inside out and backwards - how he accomplished this feat I have no idea). I looked around briefly to determine if I thought anybody in the vicinity would judge me for doing so, (but then I remembered that we were all in a bar at like 2:30 in the afternoon and I realized these were not the type of people – myself included - who were in any place to be judging anybody) and I pulled out the book and started reading.
As I sat there, I couldn’t stop laughing as Pete compared what he thought would happen after he got published to what actually happened, as he described the sequence of events that led to the popularization of his novel, and as he met some of the authors he had strove to emulate due to their commercial success. Again, just to reiterate here, I was sitting at a bar, in New York, reading a book, and laughing out loud. And I’m really not talking about the silent laugh where your body shakes a little and you are able to mostly hold it in – I mean I laughed and the bartender had to come over and ask me if he was going to have a problem with me. We ended up talking and it turned out he was an avid reader as well. I showed him the section that I was reading and, after reading 2 pages, he was laughing out loud as well and told me that he would be buying the book to read next (he reads one a week – wow!).
This incident is by no means isolated. I recommended it to my dad, and he told me that he has gotten a number of very strange looks on the train to work due to his laughing out loud. He is enjoying it so much that he is limiting himself to only reading it on the train in the morning because (a) he wants to make it last – he said that he doesn’t want to put it down but also wants to pace himself to make it last and (b) he has been in a better mood when arriving to work than usual due to having gotten a large dose of humor during the morning ride to the office.
You quickly find yourself identifying with Pete - and that is what I love about this story. So many stories have protagonists who are geniuses or superheros or some kind of combination of the two - these stories are certainly entertaining but often I find myself not so interested in what happens to the main character but instead how the story will be resolved. The story arc is certainly important; I mean I'm not going to read about some guy who seems like me doing laundry - no matter how witty he may be. However, I think that once a reader can identify with the guy telling the story, they begin to experience the story on a more personal level. Who hasn’t lived in a crappy apartment, or found themselves in a dead-end job, or had their heart broken by a girlfriend or boyfriend? Pete Tarslaw is a misguided fool who you can’t help but identify with and see yourself in (even if it's just a little but). As he ignores, time after time, the indication that he is making yet another mistake, you hope that he finds redemption. And even though he will continue making poor choices you can’t help but smile as you strap yourself in for the ride to see where his adventure takes the both of you.
I think this really embodies the book – it is one of those stories that will, by no means, redefine how you see literature and books, but instead is one that will remind you how much a good book can brighten your day. And while being so funny, it also describes a broader impulse that I think most people have felt at one point or another: they have read a book, or seen an author (much like our hero Pete did), and thought to themselves “I think I can pull that off”. I know I have certainly felt that way before and reading this book really made me consider truly what writing a book entails, and even more: what does it mean? Pete was only concerned about the end result; and he didn’t care about the how or what? For Pete it was about the prestige, the money, and the ability to upstage Polly at her own wedding. Yet later he begins questioning his own motives and starts wondering if there is a greater responsibility that a writer has besides just slapping some words together that will sell to a wide demographic. He later ignores this realization but it returns again with greater force later in the story – writing should be a personal endeavor and finding one’s own reasons for writing is a glimpse into who you are and what you hope to accomplish maybe, but even more so, what you hope to communicate with your words. Pete eventually reads a book that moves him to understand what real writing is about and fails in his attempt to describe what it meant to him. I feel a slightly conflicted excerpting it (especially given its content), but I think it really shows the evolution of the character, but also think it speaks to how writing, especially true writing from the author who has a reason to tell a story, can change your outlook on any nearly any topic and has the ability to inspire.
“I can’t even describe it right. And I won’t bother excerpting it here. Go find it.
I Wish I'd written something that good.”
- Pete Tarslaw – How I became a Famous Novelist
